Sunday, January 11, 2015
reading lately: THE BISHOP'S WIFE by Mette Ivie Harrison
About the book:
Linda Wallheim is a devout Mormon, the mother of five boys and the wife of a bishop. But Linda is increasingly troubled by her church’s structure and secrecy, especially as a disturbing situation takes shape in her ward. One cold winter night, a young wife and mother named Carrie Helm disappears, leaving behind everything she owns. Carrie’s husband, Jared, claims his wife has always been unstable and that she has abandoned the family, but Linda doesn’t trust him. As Linda snoops in the Helm family’s circumstances, she becomes convinced that Jared has murdered his wife and painted himself as a wronged husband.
Linda’s husband asks her not to get involved in the unfolding family saga. But Linda has become obsessed with Carrie’s fate, and with the well-being of her vulnerable young daughter. She cannot let the matter rest until she finds out the truth. Is she wrong to go against her husband, the bishop, when her inner convictions are so strong?
Thoughts:
First, I had read and heard a lot about this book before I bought it, and the reviews are decidedly mixed. Several LDS readers have expressed the opinion that Harrison had an "agenda" with the book, and I definitely wanted to see for myself if that was true. Having finished the book, I really don't see it. An LDS reader would have to be hyper-sensitive to any perceived criticism to find an agenda in the book. Yes, Mormon characters behave badly, and yes, Mormon characters express unhappiness with church policies and culture. But that's just life, and I think Harrison did a good job of writing a cast of characters for whom their Mormon-ness is an all-encompassing characteristic. There are so many little Mormon details scattered throughout the book--mostly good and a few bad--because the main character is constantly thinking about her religion. To me, that just makes sense. I don't self-censor my inner thoughts, so why should I expect a fictional character to?
Additionally, I definitely disagree with critiques suggesting the book is "anti-man." I think it's very clear that the anti-male sentiments occasionally expressed by the main character's inner-thoughts are a reflection not on how she actually feels. She never treats the men in her life badly and she clearly loves her husband and sons. Most importantly, even when she becomes suspicious of various male neighbors, she can't help but also notice their good behavior and begin doubting her own negative opinions. My reading is that the anti-male comments tare Linda's irrational response to the fear and stress she feels when her neighbor disappears and her guilt over not noticing anything amiss in the Helm family before the disappearance. To me, it read more as a unique character study of a woman under psychological stress than anything misandrist.
With all that out of the way, here's my review.
I read the book in one sitting. Despite the summary, the book actually involves two different mysteries--one involving the disappearance of young mother Carrie Helm, the other involving the long-dead wife of Tobias Torstensen, a man currently suffering from end-stage heart failure. One hand hand, I liked the idea of a current mystery and one rooted in the past. However, I don't think the dual mysteries worked as well as I would have hoped. Without spoiling anything, I found one mystery far more compelling than the other, and the conclusion to one far more satisfying. If the book had focused on one or the other, I think it would have been a stronger read.
I liked the reading and I found the characters to be interesting and compelling. The book seems to be the first in a planned series, and I am particularly interested in finding out more about Linda's personal history (little details were hinted at, but not explored) and her sons (placing bets that one of the five sons is gay, but not the one that Linda suspects). Overall, I would recommend it to mystery lovers.
Tuesday, December 30, 2014
goals: 2015 edition
So it's that time of year again -- a time for making goals.
Personally, I like to throw a bunch of goals out there and see what sticks. I'm only moderately good at checking back in a year later to see how I did. But this year, I am going to separate my goals into categories, which will hopefully help me stay on track.
Personally, I like to throw a bunch of goals out there and see what sticks. I'm only moderately good at checking back in a year later to see how I did. But this year, I am going to separate my goals into categories, which will hopefully help me stay on track.
Physical goals
Eat less meat
Lose weight (but remain positive about body image etc.)
Run a half marathon
Take up rock climbing again
Bike more
Writing goals
Draft and revise a YA contemporary novel
Draft "suburban fantasy" idea
(Yes, I made up that category. Can it still be "southern gothic" if it's set in the north?)
Revise NA novel
Investigate all the self-pubby fun
And any other goal that seems like a good idea
Adventure goals
Go camping more
Visit another country
What goals do you all have?
Friday, December 19, 2014
the drafting cave
It's been a crazy few weeks, friends.
I'm taking some time off from work in order to start new projects and finish old ones. Everything is looking sunshiny here in Ru Land, although a little snow before Christmas would be nice.
I know I've been a subpar blogger this year, but pop back after the holidays. Considering how well things are going (knock on wood), I'd like to pay it forward with a giveaway or two. And if I don't write again for a few days, Merry Christmas!
I'm taking some time off from work in order to start new projects and finish old ones. Everything is looking sunshiny here in Ru Land, although a little snow before Christmas would be nice.
I know I've been a subpar blogger this year, but pop back after the holidays. Considering how well things are going (knock on wood), I'd like to pay it forward with a giveaway or two. And if I don't write again for a few days, Merry Christmas!
Wednesday, December 17, 2014
Snarkington Manor
Pardon me, I'm going to poke a little bit of fun at the writing community. Don't take it too seriously.
Writers tend to want to write series. It makes sense creatively--you get invested in a world, in a plot, in a character, you want to continue to explore that. It makes sense economically--a series allows you to more easily build a brand, build a readership.
What I don't really get is the trend of naming the series.
What is the name of the Harry Potter series? Harry Potter. Twilight? The Twilight books. It's self-explanatory. Either they have a recurring title (The Shannara books), a recurring character (the Mickey Haller books), or a recurring theme (The Mortal Instruments, which for a long time I thought was the "cities of beautiful covers" series).
So those are all fine because the names of the series flow naturally from the books themselves. But what is weird is when authors (or publishers -- I totally get that in some cases it's the publisher) try to force a series with a generic title name.
The Love series.
The Learning series.
The Again series.
The Beautiful series.
The Hockey series.
The Lamp series.
The File series.
The Pen series.
(Is it obvious that now I'm just picking items from around the room? Good.)
Writers, publicists. Stop this. It's nonsense. You know how I convince a friend to read a book? I say, "It's this fantastic book about [VERY SPECIFIC DETAILS!]"
I never say, "Well, it's about ... beautiful things. It's the Beautiful Series, haven't you heard of it?"
That one I think is actually impossible to have heard of, since I have seen SEVERAL authors try to brand their series as the "beautiful series." No. No, no, no, no, no. Nope.
You cannot brand something with a word as generic as "Love." It's so vague as to become meaningless, in addition to being wildly cheesy.
You can, however, brand something specifically. The Curse Workers! "Oh, that's about an alternate universe where a minority of people are genetically gifted with one of five magic powers, and because those gifts have been outlawed by the U.S. government, most people who want to use their magic end up involved with organized crime. It's like Harry Potter meets The Godfather."
See how simple that was? And now you kinda want to read them, right?
Now pardon me, I'm off to work on my Panda Express Series. All the characters work at, and fall in love in, a Panda Express.
Writers tend to want to write series. It makes sense creatively--you get invested in a world, in a plot, in a character, you want to continue to explore that. It makes sense economically--a series allows you to more easily build a brand, build a readership.
What I don't really get is the trend of naming the series.
What is the name of the Harry Potter series? Harry Potter. Twilight? The Twilight books. It's self-explanatory. Either they have a recurring title (The Shannara books), a recurring character (the Mickey Haller books), or a recurring theme (The Mortal Instruments, which for a long time I thought was the "cities of beautiful covers" series).
So those are all fine because the names of the series flow naturally from the books themselves. But what is weird is when authors (or publishers -- I totally get that in some cases it's the publisher) try to force a series with a generic title name.
The Love series.
The Learning series.
The Again series.
The Beautiful series.
The Hockey series.
The Lamp series.
The File series.
The Pen series.
(Is it obvious that now I'm just picking items from around the room? Good.)
Writers, publicists. Stop this. It's nonsense. You know how I convince a friend to read a book? I say, "It's this fantastic book about [VERY SPECIFIC DETAILS!]"
I never say, "Well, it's about ... beautiful things. It's the Beautiful Series, haven't you heard of it?"
That one I think is actually impossible to have heard of, since I have seen SEVERAL authors try to brand their series as the "beautiful series." No. No, no, no, no, no. Nope.
You cannot brand something with a word as generic as "Love." It's so vague as to become meaningless, in addition to being wildly cheesy.
You can, however, brand something specifically. The Curse Workers! "Oh, that's about an alternate universe where a minority of people are genetically gifted with one of five magic powers, and because those gifts have been outlawed by the U.S. government, most people who want to use their magic end up involved with organized crime. It's like Harry Potter meets The Godfather."
See how simple that was? And now you kinda want to read them, right?
Now pardon me, I'm off to work on my Panda Express Series. All the characters work at, and fall in love in, a Panda Express.
Saturday, November 1, 2014
Why I wrote my Pitch Wars novel
I am so stoked to be part of Pitch Wars. Have I mentioned
that lately? I have been so lucky to get feedback from my mentor, Emily Martin.
(Remember that name, folks, her first book comes out next year!) I loved my
book back in August when I applied—I love it even more now.
So when some of my fellow mentees suggested we create a blog
hop about why we wrote our Pitch Wars novel, I was excited to participate.
There were two things I wanted to do when I first got the
idea for my book. First, I wanted to write a book that was primarily about the
friendships between girls. Yes, there is a smidgen of romance in my book, but
the important relationships are between four girls who have been friends for
most of their lives.
Second, I had read THE SILVER LININGS PLAYBOOK, and I’d been
beyond impressed at the way that Matthew Quick wrote a story about something
that was serious (mental illness and traumatic brain injury) that was
simultaneously heartbreaking and hilarious. It seems like even the saddest
things are usually also pretty funny, and for a long time I wanted to write
something about a serious topic (an attempted suicide) in a funny way. When my four main characters (Rosie, Ket,
Jenna, and Elin) began to take shape in my mind, I knew right away that I
wanted to make people laugh just as much (if not more) than I wanted to make
them cry.
So that’s it! My main reasons for writing my book. I hope
you all get to read it someday.
Tuesday, October 28, 2014
The holiday season
I am a big fan of holidays. I can tend to get a little ... TOO into them. Right now, we're in what I like to call the Holiday Corridor: Halloween--Election Day--Thanksgiving--Christmas--New Year. It's 100-plus days of non-stop fun!
(Oh, you don't celebrate Election Day? That's sad.)
This year, I may try to incorporate NaNoWriMo into the Holiday Corridor, because who doesn't want to create some new holiday traditions? (I imagine NaNoWriMo celebrations will have to involve a lot of jogging, to sort of combat ... all the side effects of NaNoWriMo.)
What are you favorite holiday traditions?
(Oh, you don't celebrate Election Day? That's sad.)
This year, I may try to incorporate NaNoWriMo into the Holiday Corridor, because who doesn't want to create some new holiday traditions? (I imagine NaNoWriMo celebrations will have to involve a lot of jogging, to sort of combat ... all the side effects of NaNoWriMo.)
| Jack Skellington heads from the Salt Lake Farmer's Market -- I should have bought one, but my Halloween decoration game is already a wee bit ... excessive. |
Tuesday, October 21, 2014
Platonic
So today on Twitter I read an article about HOMELAND (spoilers for everyone who isn't caught up!) (which also includes me! I can never resist an article about something I like and am CONSTANTLY spoiling myself!) and it prompted a need to discuss something that is near and dear to my heart.
Platonic friendships between men and women (and boys and girls).
People love to 'ship (gag) their favorite couples, I get it. I mean, I DEFINITELY wanted Leslie Knope to end up with Ben Wyatt, you'd have to be heartless not to.
But I really wish people would stop ruining great examples of male-female friendships just because every story MUST include some romance. Why can't some stories simply NOT be romantic? Or why can't you introduce another character to fill the role of Love Interest, and watch as platonic friend (gasp!) does not get jealous. Because friends generally do not get jealous when their friends find someone they care for romantically.*
In my current W.I.P. (oh hey Pitch Wars, looking forward to the showcase!), I have four girls who have all been good friends with the same boy for years. Two of those girls end up (doomed or not, intentionally or not) in romantic entanglements with that boy. The other two girls NEVER EVEN CONSIDER IT. It is never even addressed.
Why? Because they're just friends. And that is how friendship works.
So can we get a shout out for a few of our favorite platonic pop culture friendships? Thank you!
In case it isn't clear, YES I REJECT ANY NOTION THAT THESE CHARACTER SHOULD HOOK UP. Their friendships are rare little flowers that need protection! Looking at you, Vampire Diaries...
* Distressed by a changing dynamic? Sure. Annoyed by less Friend Time? You got it. Wistful about their own romantic prospects? SURE! But the friendship isn't a true platonic friendship if someone is secretly harboring romantic feelings of their own. That is not how friendship works.
Platonic friendships between men and women (and boys and girls).
People love to 'ship (gag) their favorite couples, I get it. I mean, I DEFINITELY wanted Leslie Knope to end up with Ben Wyatt, you'd have to be heartless not to.
But I really wish people would stop ruining great examples of male-female friendships just because every story MUST include some romance. Why can't some stories simply NOT be romantic? Or why can't you introduce another character to fill the role of Love Interest, and watch as platonic friend (gasp!) does not get jealous. Because friends generally do not get jealous when their friends find someone they care for romantically.*
In my current W.I.P. (oh hey Pitch Wars, looking forward to the showcase!), I have four girls who have all been good friends with the same boy for years. Two of those girls end up (doomed or not, intentionally or not) in romantic entanglements with that boy. The other two girls NEVER EVEN CONSIDER IT. It is never even addressed.
Why? Because they're just friends. And that is how friendship works.
So can we get a shout out for a few of our favorite platonic pop culture friendships? Thank you!
In case it isn't clear, YES I REJECT ANY NOTION THAT THESE CHARACTER SHOULD HOOK UP. Their friendships are rare little flowers that need protection! Looking at you, Vampire Diaries...
* Distressed by a changing dynamic? Sure. Annoyed by less Friend Time? You got it. Wistful about their own romantic prospects? SURE! But the friendship isn't a true platonic friendship if someone is secretly harboring romantic feelings of their own. That is not how friendship works.
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